It also talks about what happens to victims of a battered mental health system thanks to “Jerusalem Syndrome” (among other ailments) and does so in a way that’s creepy but also humanistic.
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It would be difficult to make a movie about the region without bringing terrorism into the picture, and Jeruzalem does, but not in the way you might expect. Sarah and Rachel are Jewish, Kevin is Catholic, and Omar is Muslim, but they all get along very well and their different religious beliefs never become problematic or the main focus of the film. The Paz brothers don’t delve into the history of religious infighting that plagues much of the area. The creature effects are actually not bad, but Jeruzalem relies far too much on cheap jump scares to be effectively frightening, with one big exception.
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The zombies don’t show up until almost halfway through the film’s roughly 90-minute running time, which would be fine if it built up some kind of tension before that point. I don’t want to spoil Jeruzalem, but you can probably guess that zombies are somehow involved, along with quite a bit of shaky cam. At the local youth hostel, Rachel hooks up with Omar (Tom Graziani) and the four have a bit of fun partying until things get weird, all of which we witness through the pair of Google Glasses Sarah’s father gave her right before her trip.
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Sarah has an instant crush on Kevin and Rachel is the kind of young woman who supports her friend in spontaneous decisions, so the pair follows him there. Along the way, they meet archaeology student Kevin (Yon Tumarkin) who convinces them that Jerusalem is a way cooler place to hang out.
JERUZALEM MOVIE RATING HOW TO
So what of that other subgenre that’s frequently accused of being oversaturated? Just because you don’t call it “found footage” doesn’t mean people aren’t going to interpret it that way, but the Paz brothers have also said that they had the idea for the film a few years ago but didn’t know how to realize it until Google Glass was invented.įriends Rachel (Yael Grobglas) and Sarah (Danielle Jadelyn) are flying to Tel Aviv to take advantage of the city’s hot night life. Like, Jeruzalem seeks to do something different with a subgenre of horror that’s frequently accused of being oversaturated. The Paz brothers have made no secret of their adoration of Jaume Balagueró’s game-changing zombie film, and fans will spot a few key scenes that pay direct homage to that film. Perhaps “apocalyptic revenants” would be more appropriate. Nor should it, because the monsters in this movie are sort of like a cross between zombies, fallen angels, and vampires. Jeruzalem also doesn’t use the Z word, at least not at first.
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It’s an interesting idea, but does it work? Yes and no, but more on that later. They have called Jeruzalem a “POV” film, which is quite accurate and could probably be applied to a few more recent horror films like Open Windows, iLived, and Unfriended. For one thing, it’s not a found footage movie, at least according to the pair of Israeli filmmakers. Jeruzalem, the first feature from brothers Doran and Yoav Paz, has a tantalizing premise.